{"id":3304,"date":"2023-02-15T20:30:03","date_gmt":"2023-02-16T02:30:03","guid":{"rendered":"https:\/\/ic4ml.org\/?p=3304"},"modified":"2023-02-15T20:38:15","modified_gmt":"2023-02-16T02:38:15","slug":"enhancing-the-past-twenty-years-later","status":"publish","type":"post","link":"https:\/\/ic4ml.org\/pt-pt\/blogs\/enhancing-the-past-twenty-years-later\/","title":{"rendered":"Enhancing the Past, Twenty Years Later"},"content":{"rendered":"\n

\u201cMentors have a way of seeing more of our faults than we would like. It\u2019s the only way we<\/p>\n\n\n\n

grow.\u201d \u2013 Padm\u00e9 Amidala<\/p>\n\n\n\n

I really love Star <\/em>Wars. Full disclosure. And Star Wars: Brotherhood<\/em> <\/a>by Mike Chen is an important cornerstone in the constantly expanding Star Wars<\/em> series from Del Rey\/Random House. After Disney\u2019s acquisition of Lucasfilm, a controversial decision was made to wipe clean the pre-existing \u201cExpanded Universe\u201d (any Star <\/em>Wars canon that is non-film) of books, novels, and comics, and to start fresh, thereby making the books released by Disney and Del Rey the \u201cnew\u201d canon. Many of Del Rey\u2019s books have garnered great acclaim, and Brotherhood<\/em>\u2013\u2013set within the \u201cprequel era\u201d\u2013\u2013is one of them. But there\u2019s more to Brotherhood<\/em> than its quality, as it also plays a huge role in how we understand the Star Wars prequel era, not just in depth, but in atmosphere and audience. And to fully understand why it\u2019s an important cornerstone, it\u2019s worth taking a closer look at this era in which Brotherhood<\/em> takes place.<\/p>\n\n\n

\n
\"Star
Star Wars: Brotherhood<\/em><\/figcaption><\/figure>\n<\/div>\n\n\n

The Star Wars<\/em> prequels have always been a point of conflict among fans. Some praise the films as the \u201cStar <\/em>Wars of their childhood,\u201d others say it\u2019s the \u201cStar <\/em>Wars <\/em>that ruined their childhood.\u201d It gets messy. Everyone loves the music though. John Williams always knocks it out of the park. Love or hate the prequels, they\u2019ve led to crucial longevity in <\/em>Star <\/em>Wars debate and discourse\u2014a discourse that, I believe, kept Star Wars alive for the \u201cdormant years\u201d between 2005, when the prequel trilogy ended, and 2012, when Lucasfilm was acquired by Disney.<\/p>\n\n\n\n

There\u2019s a broad spectrum of opinion in that galaxy far, far away, and the prequels were met mostly with negativity. 1999\u2019s The Phantom Menace <\/em>(TPM) sports a fifty-one percent critic score on Rotten Tomatoes, and a fifty-nine percent audience score; 2002\u2019s Attack Of The Clones <\/em>(AOTC) improved among critics with a score of sixty-five percent, but dropped with audiences earning a fifty-six percent; 2005\u2019s Revenge Of The Sith<\/em> (ROTS) is the most well-liked prequel, with a seventy-nine percent critic score, and a sixty-six percent audience score. Still, hate permeated Star <\/em>Wars for a long time post-2005. <\/p>\n\n\n\n

Recently, the perception of the prequels has started to skew more positive, since the fans that grew up with them are now the ones writing reviews. However,  that positivity doesn\u2019t negate the hate that the films received\u2013\u2013that the actors, notably Jake Lloyd (who played a young Anakin Skywalker in TPM) and Ahmed Best (who played Jar Jar Binks, a water-dwelling alien known as a \u201cGungan\u201d) were subjected to.<\/p>\n\n\n

\n
\"Anakin
Anakin Skywalker, Padme Amidala, and Obi-Wan Kenobi<\/figcaption><\/figure>\n<\/div>\n\n\n

I find it noteworthy, then, that this past May, twenty years after Attack Of The Clones<\/em>\u2019 release, a new \u201ctie-in novel\u201d has hit store shelves: Mike Chen\u2019s Star Wars: Brotherhood<\/em>. Set closely after the events of AOTC, Brotherhood<\/em> follows Anakin Skywalker and Obi-Wan Kenobi through the ongoing \u201cClone Wars,\u201d a fight between the Galaxy\u2019s Independent Systems (the Separatists) and the Galactic Republic\u2013\u2013a war that has spread turmoil and anguish throughout much of the Galaxy.<\/p>\n\n\n\n

Much of the Expanded Universe material has worked hard to expand on the prequels\u2019 highly debated \u201cweak spots,\u201d specifically Anakin\u2019s characterization and the political intrigue present in all three films. Brotherhood<\/em> is another piece of ancillary media released in the wake of prequel criticism, yes, but here\u2019s what I find intriguing: the book was released twenty years after the film that it is meant to supplement. A supplemental book was released twenty years after its sister-film, a film that was met with vitriol, a fifty-six-percent on Rotten Tomatoes, and countless dissections. In what other franchise would this happen? It\u2019s bizarre to think about. But I\u2019m not complaining, because Brotherhood<\/em> is a fantastic book.<\/p>\n\n\n

\n
\"Obi-Wan
Obi-Wan Kenobi and Anakin Skywalker<\/figcaption><\/figure>\n<\/div>\n\n\n

It characterizes Anakin and Obi-Wan with nuance and pathos. It paints a picture of the Galaxy-at-large so detailed and intricate that it\u2019s hard to remember why criticisms were drawn against the film in the first place. In Brotherhood<\/em>, Chen works incredibly hard to infuse life into a story that was panned and tossed aside twenty years ago. Chen takes every opportunity to add new layers to the events of the film and to deepen them and to develop them. <\/p>\n\n\n\n

There are dozens of examples I could pull, but I\u2019ll stick to just one: when a Youngling (a child training in the ways of the Jedi) makes a joke about Jar Jar Binks, Anakin responds by saying, “He taught me loyalty. And to never judge people. You say he walks funny. But to him, that\u2019s just how Gungans walk. As a Jedi, you\u2019ll encounter many different people, […] but you can learn from every one of those encounters. Because every being in the galaxy has something to offer. Sometimes […] it just takes a little bit of patience to find it” (Chen, 2022, pg. 93).<\/p>\n\n\n\n

This quote is wonderful. Not only because it shows that Anakin is a kind, compassionate man, but because Jar Jar Binks and Ahmed Best were met with such cruelty from audiences in 1999. That Chen simultaneously shows Anakin\u2019s nobility, deepens his relationship with Jar Jar (a character Anakin spent little time with on screen), and comments on the real-world perception of Jar Jar through a Youngling, asks the reader to re-evaluate their judgment of the character. Chen is expanding the lore of a story audiences already know through one line of dialogue\u2013\u2013and he does it expertly. Brotherhood<\/em> is brimming with moments like this. Or maybe I\u2019m just getting too deep. I really love <\/em>Star <\/em>Wars,<\/em> after all.<\/p>\n\n\n\n

I\u2019ll start to conclude with one more quote, from Mike Chen\u2019s acknowledgements: \u201cwhen I first signed with my agent, […] he asked about my pie-in-the-sky writing dreams. I immediately said \u2018Star Wars.\u2019 Not just any Star <\/em>Wars, but specifically the prequel era. So it is not hyperbole to say that this is a dream project\u201d (Chen, 2022, pg. 331). A dream project. The prequels have fans. The prequels are not just an asterisk in the history of Star <\/em>Wars that everyone should forget about. For the better part of twelve years, critics, bloggers, and reviewers have said that there was no audience for prequel stories, that the prequels had ruined the franchise. <\/p>\n\n\n\n

They were wrong.<\/p>\n\n\n\n

Media changes and evolves over time. It\u2019s why so many movies develop followings long after their initial release or a disappointing box-office run. The loudest voices don\u2019t always represent what everyone is thinking. I remember wearing a Clone Trooper Halloween costume to school. I got made fun of by some kids for even liking Star <\/em>Wars at all and by others for liking the \u201cwrong kind\u201d of Star <\/em>Wars. Folks now are starting to soften on the prequel trilogy, but they\u2019re attacking the recent sequel trilogy with the same vitriol that audiences did in \u201899. When will it end? <\/p>\n\n\n

\n
\"The
Star Wars: Attack of the Clones<\/em><\/figcaption><\/figure>\n<\/div>\n\n\n

Film opinion is so subjective that I think the days of critics having final say on what is or isn\u2019t a \u201cgood\u201d movie is a dated concept; leave that to opinion pieces. Negativity sells, yes, but so will a tie-in novel based on a critically panned twenty-year-old film. It speaks to how many people love the prequels\u2013\u2013there\u2019s an audience for these stories. Maybe it wasn\u2019t the audience that watched them in the theaters, but times can change. Citizen Kane<\/em> was a flop at the box office, so was A Christmas Story<\/em>\u2013\u2013but now those are two incredibly beloved films. Maybe comparing Attack Of The Clones<\/em> to Citizen Kane<\/em> isn\u2019t the best analogy (AOTC has its flaws), but it\u2019s an apt one. Like I said, I really love <\/em>Star <\/em>Wars, and Brotherhood<\/em> is a worthy addition to the franchise.<\/p>\n","protected":false},"excerpt":{"rendered":"

Star Wars: Brotherhood by Mike Chen is an important cornerstone in the constantly expanding Star Wars series set in a galaxy far, far 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